Articles
鈥楾he Two Gentlemen of Zurich: Marcus Stapfer and Johann Rudolph Hess, Swiss Travellers to England (1611-13), and Their Shakespeare Quartos鈥�, The Library, forthcoming.
鈥楧isintegrating Marlowe鈥�, Studies in Philology, 119.2 (spring 2022), 272-97. Winner of the Calvin & Rose G. Hoffman Prize
鈥楴ewly Discovered Shakespeare Passages in Bel-ved茅re or The Garden of the Muses (1600)鈥�, with Devani Singh, Shakespeare, 16 (2020), 14-22.
鈥�Cupids Cabinet Unlock鈥檛 (1662), Ostensibly 鈥淏y W. Shakespeare,鈥� in Fact Partly by John Milton鈥�, in Shakespeare and the Book Trade, 1642-1737, eds. Emma Depledge and Peter Kirwan (Cambridge: Cambridge AV短视频 Press, 2017), 107-29.
鈥榃hat We Owe to Editors鈥�, in Shakespeare in our Time: A Shakespeare Association of America Companion, eds. Dympna Callaghan and Suzanne Gosset (London: Arden, 2016), 64-68.
鈥楴ewly Discovered Adaptations of Poems by John Donne, Printed in 1662鈥�, The Review of English Studies, 67 (2016), 679-712.
鈥楨mendation and the Editorial Reconfiguration of Shakespeare鈥�, in Shakespeare and Textual Studies, eds. Margaret Jane Kidnie and Sonia Massai (Cambridge: Cambridge AV短视频 Press, 2015), 300-15.
鈥楽hakespeare and the Popularity of Poetry Books in Print, 1583-1622鈥�, with Tamsin Badcoe, The Review of English Studies, 65 (2014), 33-57.
鈥楨ditorial Emendation and the Opening of A Midsummer Night鈥檚 Dream鈥�, in Shakespeare Up Close: Reading Early Modern Texts, ed. Russ McDonald, Nicholas D Nace, and Travis D Williams (London: Arden, 2012).
鈥楰yd, Thomas鈥�, The Encyclopedia of English Renaissance Literature, ed. Alan Stewart and Garrett Sullivan听(Oxford: Blackwell, 2011), 572-76.
鈥業ntroduction鈥�, in Medieval and Early Modern Authorship, ed. Guillemette Bolens and Lukas Erne, Swiss Papers in English Language and Literature, 25 (T眉bingen: Gunter Narr, 2011), 11-27.
鈥極n Reading King Lear鈥�, in Textual Itineraries: Books and Texts in their Contexts, ed. Nathalie Coll茅-Bak and David Ten Eyck (Nancy: Nancy AV短视频 Press, 2011), 101-18.
鈥楳ediating Evil: The Editorial and Critical Reception of Shakespeare鈥檚 Villains鈥�, After Satan: Essays in Honour of Neil Forsyth, Kirsten Stirling and Martine Hennard Dutheil de la Roch猫re, eds. (Cambridge: Cambridge Scholars Press, 2010), 68-84.
鈥樷�淥ur Other Shakespeare鈥�? Thomas Middleton and the Canon鈥�, Modern Philology, 107 (2010), 493-505.
鈥楾he History of the Book in Switzerland鈥�, in The Oxford Companion to the Book, Michael F. Suarez, S.J. and Henry Woudhuysen, eds. (Oxford: Oxford AV短视频 Press, 2010), 237-39.
鈥楽hakespeare鈥檚 Popularity in Print鈥�, Shakespeare Survey, 62 (2009), 12-29.
鈥�Romeo and Juliet on Stage and Page: The Character of the Nurse in the First (1597) and Second (1599) Quartos鈥�, in Mediality / Intermediality, Swiss Papers in English Language and Literature, 21, Andreas Fischer, Martin Heusser, and Andreas Jucker, eds. (T眉bingen: Gunter Narr, 2008), 45-57.
鈥楻econsidering Shakespearean Authorship鈥�, Shakespeare Studies, 36 (2008), 26-36.
鈥楢fterword鈥�, in Shakespeare's Book: Essays in Reading, Writing and Reception, Richard Wilson, Richard Meek, and Jane Rickard, eds. (Manchester: Manchester AV短视频 Press, 2008), 255-65.
鈥楽hakespeare for Readers鈥�, in Alternative Shakespeares 3, Diane Henderson, ed. (London: Routledge, 2007), 78-94.
鈥楽hakespeare et Ben Jonson face 脿 la publication de leurs 艙uvres鈥�, in Le Parnasse des auteurs dramatiques, Georges Forestier, Edric Caldicott, and Claude Bourqui, eds. (Paris: Presses de l'Universit茅 de Paris-Sorbonne, 2007), 199-212.
鈥楶rint and Manuscript鈥�, in The Cambridge Companion to Shakespeare鈥檚 Poetry, Patrick Cheney, ed. (Cambridge: Cambridge AV短视频 Press, 2007), pp. 54-71.
鈥楾homas Kyd鈥檚 颁辞谤苍别濒颈补鈥�, in Literature Criticism from 1400-1800, eds. Thomas J. Schoenberg and Lawrence J. Trudeau, vol. 125 (Detroit: Thomson Gale, 2006), pp. 207-14, rpt. from Beyond 鈥楾he Spanish Tragedy鈥�.
鈥楲amentable Tragedy or Black Comedy? Friedrich D眉rrenmatt鈥檚 Adaptation of Titus Andronicus鈥�, in World-Wide Shakespeares: Local Appropriations in Film and Performance, Sonia Massai, ed. (London: Routledge, 2005), 88-94, 167-68.
鈥楤iography, Mythography, and Criticism: The Life and Works of Christopher Marlowe鈥�, Modern Philology, 103 (2005), 28-50. Winner of the Calvin & Rose G. Hoffman Prize and of the Roma Gill Award. Rpt. in Christopher Marlowe, ed. Robert A. Logan (Aldershot: Ashgate, 2011).
鈥楾extuality鈥�, in Reconceiving the Renaissance: A Critical Reader, Ewan Fernie, Mark Burnett, Clare McManus and Ramona Wray, eds. (Oxford: Oxford AV短视频 Press, 2005), 25-32, rpt. from Shakespeare as Literary Dramatist.
鈥榃ords in Space: The Reproduction of Texts and the Semiotics of the Page鈥�, in The Space of English, David Spurr and Cornelia Tschichold, eds., Swiss Papers in English Language and Literature, 13 (T眉bingen: Gunter Narr, 2005), 99-118.
'Theatricality and Literariness', in Reconceiving the Renaissance: A Critical Reader,听 Ewan Fernie, Mark Burnett, Clare McManus and Ramona Wray, eds. (Oxford: Oxford AV短视频 Press, forthcoming 2005).
'"Throughly ransackt": Elizabethan Novella Collections and Henry Wotton's Courtlie Controuersie of Cupid's Cautels (1578)', Cahiers Elizab茅thains, 64 (October 2003), 1-12.
'Thomas Kyd's Christian Tragedy', in Renaissance Papers 2001, Thomas Hester, ed. (Cambridge: Boydell & Brewer, 2002), 17-34.
'Shakespeare and the Publication of His Plays', Shakespeare Quarterly, 53 (2002), 1-20 (reviewed in The Shakespeare Newsletter, 52:3 [Fall 2002], 91).
'Shakespeare, Auteur, 1593-1609', in Du Spectateur au lecteur: Imprimer la sc猫ne aux XVIe et XVIIe si猫cle, Larry F. Norman, Philippe Desan and Richard Strier, eds. (Paris: Presses de l'Universit茅 de Paris-Sorbonne, 2002), 185-204.
'Donne and Christ's Spouse', Essays in Criticism, 51 (2001), 208-29, rpt. in Literature Criticism from 1400 to 1800, Vol. 90, ed. Tom Schoenberg (Detroit: Thomson Gale, 2003). To view this article online, click .
'"Enter the Ghost of Andrea": Recovering Thomas Kyd's Two-Part Play', English Literary Renaissance, 30 (2000), 339-72 (reviewed in The Year's Work in English Studies, 81 (2002), p. 453).
'Eighteenth-Century Swiss Peasant Meets Bard: Ulrich Br盲ker's A Few Words about William Shakespeare's Plays (1780)', Theatre Research International, 25.3 (2000), 255-65.
'"Popish Tricks" and "a Ruinous Monastery": Titus Andronicus and the Question of Shakespeare's Catholicism', in The Limits of Textuality, Lukas Erne and Guillemette Bolens, eds., Swiss Papers in English Language and Literature, 13 (T眉bingen: Gunter Narr, 2000), 135-55.
'Shakespeare's "ever-fixed mark": Theological Implications in Sonnet 116', English Studies, 81 (August 2000), 293-304.
'"The Two Hours' Traffic of Our Stage": Performance Criticism and the Length of Performance of Shakespeare's Plays', Shakespeare Jahrbuch, 135 (1999), 66-76 (reviewed in Hamlet Studies, 23 [2001], 131-32).
'Biography and Mythography: Rereading Chettle's Alleged Apology to Shakespeare', English Studies, 79 (1998), 430-40 (reviewed in The Shakespeare Newsletter, 48 [1998], 82). 听
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