AV短视频

Does Data Science Enrich Art History?

17-11-2023 14:15 - 15:45 GMT+1 || Join us on Zoom|| Back to the programme

Speakers:

• Harald Klinke, Ludwig Maximilian Universität Munich

• Clarisse Bardiot, Université Rennes 2

Harald Klinke

Dr. Harald Klinke, M.Sc. is currently teaching Digital Art History at the LMU Munich, Germany. He studied business informatics (Wirtschaftsinformatik) and art history, media theory, painting, philosophy in Karlsruhe, Berlin, Norwich (UK) and Göttingen, and received his Ph.D. at the Karlsruhe AV短视频 of Arts and Design. From 2008 to 2009, he worked as a Lecturer of Visual Studies (Bildwissenschaft) at the Art History Department at the AV短视频 of Göttingen. From 2009 to 2010, he conducted research, supported by a grant from the Deutsche Forschungsgemeinschaft, as a Visiting Scholar at Columbia AV短视频, New York. In cooperation with the AV短视频 of Mannheim and the Volkswagen AG, Wolfsburg, he designed a graphical user interface by means of 3D graphics, head tracking and touch input. He is Editor of the International Journal for Digital Art History and has been a speaker at international conferences on Digital Humanities and Art History (AV短视频 of California, Los Angeles, AV短视频 of Southern California, City AV短视频 of New York, AV短视频 of Maryland, AV短视频 of Iceland, AV短视频 of Malaga etc.)

Clarisse Bardiot

A historian of contemporary theatre, specializing in digital humanities and digital performances, Clarisse Bardiot is a full professor at Université Rennes 2 and a research fellow at the CNRS (Thalim laboratory). After a Ph.D. on digital performances (Les Théâtre virtuels, Sorbonne Nouvelle/CNRS, 2005) under the direction of Béatrice Picon-Vallin, she obtained a researcher-in-residence grant from the Daniel Langlois Foundation in Montreal for research on  and then contributed to the international  project on the documentation and conservation of media arts. From 2006 to 2010, she coordinated two European projects (CECN2 and Transdigital), led numerous training projects and artists in residence programs on digital performances, and created the magazine Patch, of which she was editor-in-chief. In 2011, she founded , a publishing house dedicated to contemporary creation, whose books are regularly awarded prizes. In 2016, she was selected to participate in the «  » long program at the Institute for Pure & and Applied Mathematics at UCLA. In 2016 and 2017, invited by Roger Malina, she was a research fellow at the  at UT Dallas. From 2018 until 2021, she joined the scientific management team of the  (MESHS) to develop the digital humanities program. In 2018, she was on temporary assignment to the CNRS, renewed in 2019. In 2019, she defended her « habilitation to direct research » with Bruno Bachimont. The manuscript was entitled « Mémoire de l’éphémère : les traces numériques des arts de la scène ». It has been published in French and in English by ISTE and Wiley in 2021 ( / ). Her research focuses on digital humanities, the history and aesthetics of digital performance, the relationship between art, science and technology, the preservation of digital works, and experimental publishing. In 2023, she was awarded an ERC advanced Grant for a new project called « From Stage to Data, the Digital Turn of Contemporary Performing Arts Historiography (STAGE) ».